REMBRANDT Harmenszoon van Rijn
REMBRANDT Harmenszoon van Rijn's Oil Paintings
REMBRANDT Museum
July 15, 1606 – October 4, 1669. Dutch painter.

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Here are all the paintings of Vincenzo Catena 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
43034 A Muslim Warrior Adoring the Infant Christ and the Virgin Vincenzo Catena A Muslim Warrior Adoring the Infant Christ and the Virgin mk170 1520-1525 Oil on canvas 156.3x267.3cm
90881 A Warrior adoring the Infant Christ and the Virgin Vincenzo Catena A Warrior adoring the Infant Christ and the Virgin oil on canvas Dimensions Height: 155.3 cm (61.1 in). Width: 263.5 cm (103.7 in). cjr
20200 Giangiorgio Trissino (mk05) Vincenzo Catena Giangiorgio Trissino (mk05) Canvas,28 1/2 x 25 1/4''(73 x 64 cm).Given to the Louvre in 1914
84582 Portrait of a Young Man Vincenzo Catena Portrait of a Young Man Date between 1505(1505) and 1510(1510) Medium Oil on wood Dimensions Height: 31 cm (12.2 in). Width: 24 cm (9.4 in). cjr
88445 Portrait of a Young Man Vincenzo Catena Portrait of a Young Man between 1505(1505) and 1510(1510) Medium Oil on wood cyf
90118 Portrait of humanist Gian Giorgio Trissino Vincenzo Catena Portrait of humanist Gian Giorgio Trissino 1510(1510) Medium Oil on canvas Dimensions 28 3/8 x 25 inches (72.14 x 63.50 cm) cjr
88060 Portrait of the Doge, Andrea Gritti Vincenzo Catena Portrait of the Doge, Andrea Gritti Oil on canvas Dimensions Height: 97.2 cm (38.3 in). Width: 79.4 cm (31.3 in). cjr
43035 Saint Jerome in His Study Vincenzo Catena Saint Jerome in His Study mk170 Circa 1510 Oil on canvas 75.9x98.4cm
355 The Supper at Emmaus Vincenzo Catena The Supper at Emmaus 1520/30 Galleria degli Uffizi, Florence
28311 The Supper at Emmaus Vincenzo Catena The Supper at Emmaus mk60 Panel 51 3/16"x97 7/8in

Vincenzo Catena
Italian c1480-1531 Vincenzo Catena Location Italian painter. His paintings represent the perpetuation of the style of Giovanni Bellini into the second quarter of the 16th century. He made few concessions to the modern style that was being introduced to Venice by Titian, Palma Vecchio, Pordenone and others in the same period. This archaicizing tendency was shared by several minor Bellinesque painters of the period, including Pietro degli Ingannati, Pietro Duia, Francesco Bissolo, Vittore Belliniano and the Master of the Incredulity of St Thomas. Catena, together with Marco Basaiti, with whose works Catena are sometimes confused, can be considered the most accomplished of these. Despite the fact that he counted several humanists in his circle, the extant repertory of his subjects is limited to religious themes, mainly Marian and including three altarpieces, and to male portraits. The latter, as Vasari observed, include several of his finest works.
REMBRANDT Harmenszoon van Rijn
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