REMBRANDT Harmenszoon van Rijn
REMBRANDT Harmenszoon van Rijn's Oil Paintings
REMBRANDT Museum
July 15, 1606 – October 4, 1669. Dutch painter.

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Here are all the paintings of Phillips, Ammi 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
72372 Betsey Beckwith Phillips, Ammi Betsey Beckwith Date between 1815(1815) and 1820(1820) Medium Oil on canvas Dimensions 77.4 X 62.4 cm (30.47 X 24.57 in) cyf
19864 Cornelius Allerton Phillips, Ammi Cornelius Allerton 1821-22 Oil on canvas Art Institute of Chicago.
72631 Jeannette Woolley later Mrs John Vincent Storm Phillips, Ammi Jeannette Woolley later Mrs John Vincent Storm Date between 1835(1835) and 1845(1845) Medium Oil on canvas Dimensions 83.8 X 71 cm (32.99 X 27.95 in) cyf
74800 Mrs Wilbur Phillips, Ammi Mrs Wilbur English: "Mrs. Wilbur (Sarah 'Sally' Stearns) Sherman (1789-1845) and daughter Sarah (1814-1872)," oil on canvas, by the American artist Ammi Phillips. 36 in. x 30 in. Yale University Art Gallery, the Teresa and H. John Heinz III Charitable Lead Trust. Courtesy of Yale University, New Haven, Conn. Date 1815 cyf
19865 Mrs. Day Phillips, Ammi Mrs. Day 1835 Oil on canvas National Gallery of Art, Washington D.C.
39061 Mrs.John Vincent Storm Phillips, Ammi Mrs.John Vincent Storm mk140 circa 1838 Oil on canvas
72677 Phillips Phillips, Ammi Phillips Date between 1815(1815) and 1820(1820) Medium Oil on canvas Dimensions 77.4 X 62.4 cm (30.47 X 24.57 in) cyf
31991 Portrait of a Young Woman,possibly Mrs.Hardy Phillips, Ammi Portrait of a Young Woman,possibly Mrs.Hardy mk77 c.1812-19 Oil on canvas 30x25in
19863 Reverend Jonas Coe Phillips, Ammi Reverend Jonas Coe 1820 Oil on canvas.
74811 Wilbur Sherman Phillips, Ammi Wilbur Sherman English: "Wilbur Sherman (1776-1856)," oil on canvas, by the American artist Ammi Phillips. 32 in. x 26 in. Yale University Art Gallery, the Teresa and H. John Heinz III Charitable Lead Trust. Courtesy of Yale University, New Haven, Conn. Date 1815 cyf

Phillips, Ammi
American Folk Artist, 1788-1865 American painter. Apparently self-taught, he began his prolific and successful career as a portrait painter c. 1811. During his lifetime, he moved several times across the borders of New York, western Connecticut and Massachusetts in search of commissions. Like many of the itinerant artists of the 19th century, he struggled to achieve pictorial solutions and a distinctive style, yet he developed so dramatically that historians originally classified his paintings as the work of two different artists: 'The Border Limner' and 'The Kent Limner'. The earliest works, from his 'Border' period (c. 1812-19), are marked by simple forms, shaded outlines and soft, pastel colours. They include ambitious full-length portraits as well as three-quarter and bust-length examples (Dr Russell Dorr, c. 1814-15; Williamsburg, VA, Rockefeller Flk A. Col.). In the 1820s he experimented with techniques and formats, developing an attention to detail and naturalism that suggests the influence of Albany portrait painter Ezra Ames. By the 1830s, the decade of his 'Kent' portraits, his compositions present his sitters as large, stylized shapes that nearly fill the canvas, while his use of rich, saturated colours creates striking contrasts of light and dark. Typically in this decade, his female sitters are shown leaning forward while male sitters sit upright with one hand draped over a chairback. Among his most appealing and successful works are portraits of children from this period. Blond Boy with Primer,
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