REMBRANDT Harmenszoon van Rijn
REMBRANDT Harmenszoon van Rijn's Oil Paintings
REMBRANDT Museum
July 15, 1606 – October 4, 1669. Dutch painter.

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Here are all the paintings of MASTER of the St. Bartholomew Altar 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
52049 Crucifixion Altarpiece MASTER of the St. Bartholomew Altar Crucifixion Altarpiece c. 1500 Oak, 107 x 80 cm
63692 Crucifixion Altarpiece MASTER of the St. Bartholomew Altar Crucifixion Altarpiece 1495-1501 Oak, 107 x 80 cm (each wing) Wallraf-Richartz Museum, Cologne These are early examples of grisaille painting in Cologne. The altarpiece was donated by Dr Peter Rinck for the rood screen of the Carthusian church of St Barbara between 1495 and 1501.Artist:MASTER of the St. Bartholomew Altar Title: Crucifixion Altarpiece (exterior of the wings) Painted in 1451-1500 , German - - painting : religious
43558 St Agnes, St Bartholomew and St Cecilia MASTER of the St. Bartholomew Altar St Agnes, St Bartholomew and St Cecilia Wood 129 x161 cm
52051 St Thomas Altarpiece MASTER of the St. Bartholomew Altar St Thomas Altarpiece 1501 Oak, 143 x 106 cm
43550 The Deposition MASTER of the St. Bartholomew Altar The Deposition Oil on oak 75 x 47 cm
63693 The Holy Family MASTER of the St. Bartholomew Altar The Holy Family 1470s Tempera on oak panel, 30,5 x 23 cm Museum of Fine Arts, Budapest The small-size panel obviously intended not for any church but for private devotions in the intimate milieu of a sitting-room is much like a miniature, offering to give pleasure when contemplated at close quarters. The waves of the hair - that of the Virgin undulating softly, that of Joseph more roughly in an elderly manner, the rich golden locks of the Child curling into ringlets - the objects arranged in the foreground to recall a still-life, the carefully delineated veins of the marble balustrade, all evidence this attitude. The faces, particularly that of the Virgin, are definitely of the Dutch type. The colours are gentle, melting into unassuming harmony, the forms are tranquil. The background recalling a goldsmith's work, decorated with pearls and precious stones, greatly contributes to this closed character. Apparently the picture is one of the artist's earliest works, from a youthful period, when the Baroque forms, which later became a fundamental trait of his art, had not yet become dominant.Artist:MASTER of the St. Bartholomew Altar Title: The Holy Family Painted in 1451-1500 , German - - painting : religious
63704 Virgin and Child MASTER of the St. Bartholomew Altar Virgin and Child 1510s Panel, 30 x 20,3 cm Wallraf-Richartz Museum, Cologne This painting shows the characteristics of the school of Cologne: oval face, long nose, high forehead and an overall delicate grace.Artist:MASTER of the St. Bartholomew Altar Title: Virgin and Child Painted in 1451-1500 , German - - painting : religious

MASTER of the St. Bartholomew Altar
German painter active 1470-1510 in Cologne
REMBRANDT Harmenszoon van Rijn
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